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Episode

NSTS Episode 161 – Men’s Health and Metal Hammer Writer Joe Daly

Men’s Health and Metal Hammer writer Joe Daly joins me from Southern California this week on No Sleep Til Sudbury, and it’s great to catch up – Joe was originally scheduled to appear on one of the very first introductory episodes of NSTS back in April 2017. It’s been a long time coming, but it was worth the wait.

Joe and I chat about the recording of The Doors first record, KISS and disco, Slayer’s career trajectory and the spider bite from which guitarist Jeff Hanneman contracted a flesh eating disease, and much more.       

Episode

NSTS Episode 160 – The Lazys Frontman Leon Harrison

The Lazys singer Leon Harrison is my guest on NSTS this week, and he interviews the same way he performs – without reservation.

Transplanted from Australia, The Lazys is one of Canada’s hottest rock acts. Leon and I talk about the reasons behind the band’s move to Canada, why it’s important to recognize a band’s entire catalogue beyond the hits, social media influencers, the genius of Coldplay, his online mentoring program Bandwagon, the importance behind the message in Pink Floyd’s “Comfortably Numb”, and so much more.

Harrison’s playlist:

Silverchair – Emotion Sickness

AC/DC – Shoot To Thrill

Coldplay – O

Rage Against The Machine – Bullet in the Head   

Pink Floyd – Comfortably Numb

Episode

NSTS Episode 159 – Rob Preuss’ Special Covid NSTS Playlist

This week it’s my pleasure to welcome my pal, ex-Spoons and Honeymoon Suite keys player Rob Preuss back to the show. Rob called in from his home in Queens, NY with a playlist that has a special meaning to him.

As always, Rob brings impressive insights and great stories to the conversation, including his interaction with Ted Templeman during the recording of Honeymoon Suite’s Racing After Midnight album, the time when Doobie Brothers’ Michael McDonald hummed melody ideas into his ear, and how having less can be so much more.    

Episode

NSTS Episode 158 – The Amazing Facts Behind Rush’s Moving Pictures

Lots of musical things happened in 1981. One of those things was Rush’s release of their most popular record, Moving Pictures. Just a few years before that, they were almost dropped from their record label.

This week on NSTS we look at the leadup to the Moving Pictures album, how it came together. and all of the amazing intricacies that went into it – including the physical impacts Tom Sawyer’s drum tracks had on Neil Peart, who the people are on the album cover, and what the triple entendre (not just double) cover artwork really means and who was behind it.  

Episode

NSTS Episode 157 – MTV, Blondie, and Ozzy Versus Doves

So much great stuff happened at the beginning of the 80s that I just had to continue going through it this week on NSTS.

In 1981 MTV changed the musical landscape forever, Blondie helped to bring rap into the mainstream spotlight with Rapture, and Ozzy bit the heads off of two doves in a meeting with record executives, kicking off a long list of misdeeds that would include biting the head off of a bat, snorting ants, urinating on the Alamo, and so much more. And it’s all right here on this week’s show, check it out.  

Episode

NSTS Episode 156 – Losing John, Bon, and Bonzo in 1980

John, Bon, and Bonzo: we lost three rock icons in the year 1980. Former Beatle John Lennon, AC/DC singer Bon Scott, and Led Zeppelin drummer John Bonham all departed in the same year. 

This week on NSTS we continue our look at 1980, focusing on these three figures – shedding light on a new theory of how Scott may have really died, the bizarre backstory of Lennon killer Mark David Chapman, and why Bonzo’s headmaster said he would either be a garbage man or a millionaire.   

Episode

NSTS Episode 155 – Joy Division, David Bowie, and the Walkman

The 80s marked a time when music and commerce would become indelibly intertwined – record companies did away with old artist development models in favour of capitalizing on a growing talent pool. And with MTV now providing a visual aspect to accompany a song, music would rely on image like never before.

This week on NSTS we look at the bigger, brighter, and money-driven music of the 1980s, starting right at the beginning – in 1980. The creation and impact of the Sony Walkman, why one-hit wonders proliferated in the 80s, who The Rolling Stones’ Angie was about, the tragic death of Joy Division singer Ian Curtis, and more. Don’t miss it.

Episode

NSTS Episode 154 – Blood Sweat & Tears Singer David Clayton Thomas

Legendary Blood Sweat & Tears frontman and Grammy winner David Clayton Thomas joins me from his home this week to chat about his new record Say Somethin’.

We also talk about the songs that make his skin vibrate, and some of the artists on his list are actually friends and collaborators, including the great Roberta Flack. Fantastic discussion with one of the true greats.      

Thomas’ playlist:

Ray Charles – Unchain My Heart

Marvin Gaye – What’s Goin On

Roberta Flack – Killing Me Softly

Otis Redding – Sitting on the Dock of the Bay

Percy Sledge – When A Man Loves A Woman

Episode

NSTS Episode 153 – Chaos and Murder at Altamont

In late 1969, The Rolling Stones gave fans a free concert in response to criticism that their concert tickets had been too expensive. They were joined by a select number of other acts at Altamont Speedway in California and the concert become a festival, fashioned after Woodstock.

It would be anything but. Hells Angels acted as security, and Altamont would be remembered not for peace and love, but instead for destruction, murder, and ‘the end of innocence’.  And a subsequent assassination attempt of Mick Jagger in New York.   

Episode

NSTS Episode 152 – The Peace & Love of Woodstock

A lot of important things happened in 1969, and one of those things was the Woodstock music festival.

This week on NSTS we take a close look at Woodstock’s three days of ‘peace and love’ – the chaos it faced in hosting more than four hundred thousand people, the artists that showed up (along with the ones that didn’t), and how it came to be known as a pivotal moment in defining a countercultural generation.